“The footprint that we need now on projects is less. The ability to create a remote workflow using Avid | Edit On Demand is a huge advantage for post-production houses. “Here's the keys to the admin portal and you're up and running.” They're trying to make it be the best experience for the administrator and the users themselves,” Monaghan says. You can tell this product is constantly evolving. PARTNER, LEAD/SOUND, EGGPLANT PICTURE & SOUNDĪs an administrator, Murnaghan calls the ease of setup and management “one of the best features” of the Avid | Edit On Demand cloud video editing solution. On the Avid | Edit On Demand workspace side, we have 1.2 million individual files.” “The playback on the stories that they're working on is very high end. When you have 12 people working and they're all in multicam mode, you're talking about hundreds of megabytes per second, even in proxy mode,” Murnaghan explains. The substantial footage was processed into DNX45 proxy, then uploaded into Avid | Edit On Demand, allowing assistants to begin the sync mapping process of laying out the day's footage. “You don’t need to move facilities to get everything done.”Įggplant quickly created its Avid | Edit On Demand workflow. “With Avid | Edit On Demand you place the order, set up your workspace, and you could be up and running in a day or two,” Murnaghan says. SYSTEM ADMINISTRATOR, EGGPLANT PICTURE & SOUNDĪvid | Edit On Demand offered the Eggplant project multiple advantages including speed, ease of use, security, and a unique SaaS on-demand option to scale up and down as needed. “We had to find a solution to have everybody work together.” “In the current environment, it would have taken so much lead time to get the gear and everything in place that it just wouldn't have been possible,” Murnaghan says. Fleming and Murnaghan realized that creating an on-premises studio was not realistic. “It's a massive amount of data.”Įggplant producers had to quickly find a collaborative workflow for the 26-member team of editors, story leaders, and executives located in diverse geographic areas. The proxies ended up being 60 terabytes,” Murnaghan says. “It's the biggest show I've ever seen like that. They chose Avid | Edit On Demand and recently shared their project experience with Avid.Įggplant Picture & Sound project experience with Avid | Edit On Demand Eggplant’s project leaders, along with Bruce Fleming, the boutique’s partner, and Joseph Murnaghan, system administrator, knew their best option was an innovative cloud video editing solution. Producers turned to Eggplant Picture & Sound, a boutique post-production house based in Toronto, Canada. White Label Productions, producers of the show All Star Shore, a Viacom production for Paramount+, needed full-service post-production that encompassed audio, editorial, recording, mixing, and finishing. It included an on-location reality show a cast of 14 25 cameras shooting 24/7 2,500 hours of footage a large, distributed team and only four weeks to ramp-up a post-production process to begin as soon as filming wrapped. By any standards, this post-production project was colossal.
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